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Sarah Herrera’s Live Album “I Never Make Mistakes Because I Never Do Anything (Live)” Is An Immersively Energetic Listening Experience Worth Savoring

Sarah Herrera’s music hits with an unapologetic energy, drawing from the raw power of early punk with a modern, insurrectionist edge. Her artistry can be imagined as a ferocious blend of classic New York punk attitude, feminist grit, and unfiltered emotional release, all anchored by her driving bass lines and commanding vocal delivery. A sonic firestarter, this Bronx-born punk-rock force’s artistry bleeds urgency, rebellion, and visceral honesty. She is also the co-founder of the live band The Tommy Lasorda Experience, which has been in existence since 2024. Herrera injects each track with frenetic, distorted bass riffs that punch like a clenched fist in a dive bar mosh pit. Her emotive vocals, often shouted, snarled, or screamed, are battle cries of the disaffected—both deeply personal and universally defiant.

“I Never Make Mistakes Because I Never Do Anything (live)” is the album that wasn’t supposed to exist—and now it doesn’t. Not officially, anyway. Released and pulled on the same chaotic day in April 2025, Sarah Herrera’s surprise live album is the punk-rock statement of the year—raw, furious, and defiantly fleeting.

Featuring 27 electrifying tracks captured across multiple underground venues in New York, the album is a blistering testament to Herrera’s unmatched power as a frontwoman, bassist, and sonic insurgent. She leads her core live band—James Cullen on guitar, Miguel Estrada on drums, and Carl Horneaux on horns—through a relentless setlist that sounds like it was stitched together with gasoline and riot tape.

But why pull the album from streaming services within hours? That’s Sarah Herrera for you—radically unpredictable and hellbent on preserving the purity of punk. It’s her way of saying that music should be dangerous, not convenient. This live album isn’t for algorithms but for people who still show up, no matter what.

From frenetic bass lines to cathartic screams, “I Never Make Mistakes Because I Never Do Anything” captures Herrera’s live ferocity like a Molotov through a Marshall amp. The audience’s energy bleeds through every track—no edits, no overdubs, just sweat, volume, and unfiltered adrenaline. Highlights include the irresistible “I Guess That’s What It All Came Back To, Didn’t It? A thrillingly good live performance that refuses to let go even after it is no more.

With this album, Herrera leans fully into her reputation as a disruptive punk innovator, proving that her artistry isn’t just built on chaos—it’s sustained by skill. Her bass playing is vicious and articulate, carving through each track with melodic violence. Cullen’s jagged guitar work fuses perfectly with Estrada’s reckless precision behind the kit, while Horneaux’s horn accents bring a deranged elegance to the madness.

Whether fans ever get a re-release remains to be seen. Bootleg copies have already begun to circulate, and whispers of cassette-only pressings have emerged.

One thing is certain: this was more than an album—it was an event. A provocation. A sonic hit-and-run that’s already taken on mythic proportions.

For those lucky enough to hear it, “I Never Make Mistakes Because I Never Do Anything (live)” wasn’t just live—it was alive.

Now that you can’t wait to immerse yourself in this sonic work of art, I’ll allow you the time, and I hope that you will enjoy it as much as Herrera did when creating it. You can feel that she leaves everything on that stage, and the crowd feeds off her energy, reciprocating it appropriately based on the heartfelt applause after every performance.

This is what dreams are made of.

For more information, music, and updates, visit:
www.sarahherreramusic.com